Archive for March, 2010

Liszt’s Years of Pilgrimage

Wednesday, March 31st, 2010

“Music is never stationary; successive forms and styles are only like so many resting-places – like tents pitched and taken down again on the road to the Ideal.” (Franz Liszt)

To listen to the album…

Salon son et image

Monday, March 29th, 2010

We saw a lot of you at the Analekta booth at the Salon son et image this weekend and we were delighted to meet you all and talk about our catalogue, the new online boutique and the differences between mp3 and FLAC formats. A special $4.99 rebate was offered to all participants, so that they could appreciate by themselves the impressive quality of the FLAC files when visiting the www.analekta.com boutique for the first time.

Now is the time to register and really get the maximum out of our online boutique. To do so, you just have to follow that link.

You’re still unsure about the file format you want to download? You want to try it but still have some questions? At any time while visiting www.analekta.com, don’t hesitate to click on the pink tab at the right of your screen. That will lead you in a flash to our very complete FAQ section.


Cantus Mariales

Sunday, March 28th, 2010

When launched, the album had been hailed on the national or international scenes, by audience and critics alike, who were eager to bring to light the remarkable qualities of the performance given by the monks of Saint-Benoît Abbey. More than 60 000 copies of the recording were sold at that time. Analekta is particularly happy to release a new edition of Cantus Mariales: Medieval Sacred Chants to the Virgin Mary, almost 15 years after his first release. Gregorian chant at its very best!

To listen to the album…

Boulez celebrates his 85th birthday in Vienna

Friday, March 26th, 2010

“I have the kind of temperament that tries to make rules for the pleasure of breaking them later.” French composer and conductor Pierre Boulez, who turns 85 today, is celebrating his birthday with a series of concerts in the world’s musical capital, Vienna. Not only will he be conducting the famous Vienna Philharmonic in the Austrian capital’s legendary auditorium of the Musikverein concert hall, but there will also be a special Boulez Festival at the city’s University of Music and the Performing Arts.

Boulez will conduct a set of six concerts – including on his birthday tonight – of Karol Szymanowski‘s Third Symphony, Claude Debussy’s Jeux plus his own work-in-progress, Notations.

Once all the 85th birthday celebrations are over, Boulez plans to take a sabbatical from conducting next year and concentrate on composition, he said. “It’s wonderful people are so attentive. It’s very touching. But when 85 is gone, then I have to concentrate on my own work,” such as the completion of his unfinished Notations, he said.

To better understand the mythical composer of the Marteau sans Maître, Pli selon Pli or, more recently, Messagesquisse, you can read a transcript of some CBC radio interviews here…

To get a closer look at the Marteau, one of the masterworks of serialism, you can follow this link instead.

Today in Music’s History

Tuesday, March 23rd, 2010

What happened in the musical world on March 23, let’s say in 1891? Maybe you need a little hint.  We’re talking about the first jazz concert, presented at the famous Carnegie Hall in new York. The first recording, by the Original Dixie Jass Band, would be launched a few years later, in 1917.

Did you ever wonder where the word jazz came from? The multiple explanations are all truly fascinating I must say but nobody seems to agree on any particular answer. The word could be derived from the French verb jaser (to chat), from the name of some musicians (for example Chas Washington), from the slang ass, from a deformation of the chassé, a cakewalk figure, from the bantou jaja (“to dance or to make music”), from the African jasi (“to be excited”) or from the indonesian jaiza (“far away sound of the drums”). The word was used for the first time in a musical context in March 1913 in the San Francisco Bulletin. Up until then, it would be used by baseball fans to describe the energy of a player. It was first apposed to the music of Art Hickman’s group, a baseball player who was training with the San Francisco Seals.

One thing is for sure, though: jazz is eternal and multiform. To share, one of my favourite jazz piano albums of the last few years, Montreal Variations…