Archive for the ‘Elsewhere on the Web’ Category

Schoenberg and Strauss

Thursday, October 27th, 2011

Richard Strauss’s influence on the Second Viennese School (Schoenberg, Berg and Webern) has been discussed on several occasions over the years, even more so in the last few. Alex Ross from the New Yorker states: “… I believe it’s still underrated, not least because the eternal politics of twentieth-century historiography — radical vs. conservative, etc. — keep getting in the way.”

In this interesting blog (with musical examples), he draws parallels between the universes of Strauss and Schoenberg, the latter having adulated the first in his youth, not so surprisingly.

You can read it here…

Ensemble Caprice saluted by the press in Washington

Friday, October 21st, 2011

Ensemble Caprice is coming back from a short but intense tour in the US. They were in Washington a few days ago with their Vivaldi and the Gypsies program and their raw energy and wonderful artistiry certainly convinced the critic of the Washingtonian...

“That the experience was anything more than an intellectual exercise is due to the electrifying performances of the group’s best musicians. Lead violinist Julie Triquet gave virtuosic flourish to many of the Romani melodies, in which the technical demands at breakneck speeds were no less formidable than Vivaldi’s, requiring pitches to bend and slide, and the tone to growl and complain. The group showed admirable unity as the tempo was likewise distorted, slowing down and speeding up, the changes guided especially by the expert beat of percussionist Ziya Tabassian.”

To read the full review…

Knowing the trumpet a little better

Monday, October 3rd, 2011

The trumpet has taken so many forms throughout musical history that it makes it more difficult to really understand how this instrument works. The latest issue of La Scena Musicale offers an article that attempts to demystify that instrument that led soldiers to war and accompagnied the entry of kings.

You may read it here, on page 48-49.

Nothing like hearing the instrument to better understand it. You can do so here, with Paul Merkelo (principal trumpet of the OSM) and Luc Beauséjour, performing a series of baroque transcriptions.

Kurt Sanderling leaves us

Monday, September 19th, 2011

The German conductor Kurt Sanderling died yesterday in Berlin, one day short of his 99th birthday. “He fell asleep peacefully, surrounded by his family,” indicated his son Stefan, a conductor as well, in a press release.

Born in a Jewish family, Kurt Sanderling has led one of the most remarkable careers of the 20th century. Having fled Nazi Germany in 1936, he emigrated to the USSR and led the Leningrad Philharmonic Orchestra (now St. Petersburgh) until 1960. He was best known for his readings of his close friend Dmitri Shostakovich’s symphonies. One year before the Berlin Wall was built, he went back to Germany and led the Berliner Sinfonie-Orchestrer for 17 years. He was as well music director of the Dresden Staatskapelle from 1964 to 1967 and was associated with the Stuttgart Symphony after the fall of the Wall. He had retired in 2002.

Here, he leads the Bayeurisch Sinfonie-Orchester in Shostakovich.

An article on the conductor from Classical Iconoclast

An article by Norman Lebrecht when Sanderling retired…

To watch (or watch again) last night’s concert

Thursday, September 8th, 2011

You missed Beethoven’s Ninth Symphony, as performed last night by the OSM last night, for the inauguration of the Maison symphonique ? Don’t worry about it! You can watch it all on line, here…