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	<title>Analekta blog &#124; the classical music meeting place</title>
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	<description>The classical music meeting place</description>
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		<title>Nantes goes  nuts for Russia</title>
		<link>http://www.analekta.com/blog/en/2012/02/03/nantes-goes-nuts-for-russia/</link>
		<comments>http://www.analekta.com/blog/en/2012/02/03/nantes-goes-nuts-for-russia/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 14:21:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[In the news]]></category>

		<guid isPermaLink="false">http://www.analekta.com/blog/en/?p=1727</guid>
		<description><![CDATA[Now and until February 5, the Folle Journée de Nantes 2012 is in full swing. This year, it is not just one composer who is featured but Russian music as a whole, from Tchaikovsky to Gubaidulina, but let&#8217;s not forget Stravinsky, Scriabin, Prokofiev… Technology has become such a great friend to the music lover that [...]]]></description>
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<p>Now and until February 5, the Folle Journée de Nantes 2012 is in full swing. This year, it is not just one composer who is featured but Russian music as a whole, from Tchaikovsky to Gubaidulina, but let&#8217;s not forget Stravinsky, Scriabin, Prokofiev… Technology has become such a great friend to the music lover that you can follow concerts live, thanks to <a href="http://www.follejournee.fr/index.php?option=com_content&amp;view=article&amp;id=53&amp;Itemid=160&amp;lang=fr" target="_blank">Radio-France et Arte</a>. Some can as well be viewed the following few days in video, so no need to cross the Atlantic to enjoy all the effervescence&#8230;</p>
<p><a href="http://www.follejournee.fr/index.php?lang=en" target="_blank">You can find the list of concerts, lectures, activities and exhibits here&#8230;</a></p>
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		<title>Debussy, music and the arts</title>
		<link>http://www.analekta.com/blog/en/2012/02/01/debussy-music-and-the-arts/</link>
		<comments>http://www.analekta.com/blog/en/2012/02/01/debussy-music-and-the-arts/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 21:42:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Elsewhere on the Web]]></category>
		<category><![CDATA[Music and...]]></category>

		<guid isPermaLink="false">http://www.analekta.com/blog/en/?p=1724</guid>
		<description><![CDATA[A new exhibit will open on February 22 at Musée de l&#8217;Orangerie in Paris, centered around Debussy, whose 150th birthday will be celebrated throughout 2012. The exhibit is “a mix of works Debussy admired and those he could have seen”, according to the team behind this all, Xavier Rey of the Musée d’Orsay,  Guy Cogeval, [...]]]></description>
			<content:encoded><![CDATA[<p>A new exhibit will open on February 22 at Musée de l&#8217;Orangerie in Paris, centered around Debussy, whose 150th birthday will be celebrated throughout 2012. The exhibit is “a mix of works Debussy admired and those he could have seen”, according to the team behind this all, Xavier Rey of the Musée d’Orsay,  Guy Cogeval, the director of the Orsay and the Musée de l’Orangerie (formerly head of the Montreal Fine Arts Museum) and musicologist Jean-Michel Nectoux. Pieces once owned by his brothers-in-law—the painter Henry Lerolle, the composer Ernest Chausson and Arthur Fontaine — are mostly featured.  If you plan a trip abroad, you won&#8217;t want to miss it. Concerts and conferences will also be presented until June 11.</p>
<p><a href="http://www.theartnewspaper.com/whatson/event/Debussy,-Music-and-the-Arts/1123620" target="_blank">Details can be found here&#8230;</a></p>
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		<title>Prix Opus</title>
		<link>http://www.analekta.com/blog/en/2012/01/30/prix-opus/</link>
		<comments>http://www.analekta.com/blog/en/2012/01/30/prix-opus/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 15:40:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[In the news]]></category>

		<guid isPermaLink="false">http://www.analekta.com/blog/en/?p=1722</guid>
		<description><![CDATA[The 15th gala of the Prix Opus was held yesterday afternoon in the very beautiful Salle Bourgie of the Montreal Museum of Fine Arts. No less than 28 awards were given out during this celebration of concert music, which coincided with the 25th anniversary of the Conseil québécois de la musique. Several musical performances were [...]]]></description>
			<content:encoded><![CDATA[<p>The 15th gala of the Prix Opus was held yesterday afternoon in the very beautiful Salle Bourgie of the Montreal Museum of Fine Arts. No less than 28 awards were given out during this celebration of concert music, which coincided with the 25th anniversary of the Conseil québécois de la musique.</p>
<p>Several musical performances were included throughout the gala. The audience heard the Zaldivar Trio, the Bozzini Quartet in an excerpt from an Ana Sokolovic work to be premiered in October, composer Jean-François Laporte in <em>Rituel,</em> an intriguing and rather poetic work for <em>flying can</em>, the Fanfarniente, harpist <a href="../../../en/artistes/Valerie-Milot.1138.html" target="_blank">Valérie Milo</a>t in two movements from a piece by Glenn Buhr, as well as a baroque group with Marie-Nathalie Lacoursière, Olivier Brault, and actors Jean-François Gagnon and Carl Béchard.</p>
<p>A very moving homage was rendered to <a href="../../../en/artistes/Yuli-Turovsky.776.html" target="_blank">Yuli Turovsky</a>, who left I Musici&#8217;s musical direction last May for health reasons.  From the long list of winners, let&#8217;s mention the program<em> The Art of François Couperin</em>, a Clavecin en concert production, led by <a href="../../../en/artistes/Luc-Beausejour.37.html" target="_blank">Luc Beauséjour</a>, (&#8220;Concert of the year – medieval, Renaissance, baroque repertoires&#8221;), <em>On n’est jamais trop classique, </em>a youth program from the <a href="../../../en/artists/Orchestre-Symphonique-De-Montreal.889.html" target="_blank">Orchestre symphonique de Montréal</a> (&#8220;Young audience production&#8221;) and pianist <a href="../../../en/artistes/Louise-Bessette.56.html" target="_blank">Louise Bessette</a>, who celebrates in 2012 her first 30 years of career, nominated twice in the category &#8220;Disc of the year – modern, contemporary repertoires&#8221; who went home with the precious prize for her Serge Arcuri project.</p>
<p>Cloé Palacio-Quintin becomes &#8220;composer of the year&#8221; and  baroque flutist Vincent Lauzer (who has worked with Matthias Maute and Sophie Larivière of <a href="../../../en/artistes/Ensemble-Caprice.947.html" target="_blank">Ensemble Caprice</a>) &#8220;upcoming artist&#8221;. Julie Boulianne&#8217;s work on the international stage was as well saluted.</p>
<p>Congratulations to all!</p>
<p>&nbsp;</p>
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		<title>Critics convene</title>
		<link>http://www.analekta.com/blog/en/2012/01/27/critics-convene/</link>
		<comments>http://www.analekta.com/blog/en/2012/01/27/critics-convene/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 13:37:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music and...]]></category>

		<guid isPermaLink="false">http://www.analekta.com/blog/en/?p=1718</guid>
		<description><![CDATA[Everyone loves to hate them, but critics remain an essential part of the music world. Alex Ross from The New Yorker, author of The Rest is Noise, was in Oberlin recently for the inaugural edition of the Rubin Institute for Music Criticism. Part symposium for present and former critics, part workshop for ten young writers [...]]]></description>
			<content:encoded><![CDATA[<p>Everyone loves to hate them, but critics remain an essential part of the music world. Alex Ross from <em>The New Yorker</em>, author of <em>The Rest is Noise</em>, was in Oberlin recently for the inaugural edition of the <a href="http://new.oberlin.edu/office/rubininstitute/index.dot" target="_blank">Rubin Institute for Music Criticism.</a></p>
<p>Part symposium for present and former critics, part workshop for ten young writers from the Oberlin community, the event also offered concerts for the student critics to judge (and seasoned journalists to discuss, no doubt), including performances by the Cleveland Orchestra. In his address to students, Ross quoted E. M. Forster: &#8220;The critic ought to combine Mephistopheles with the archangels, experience with innocence. He ought to know everything inside out, and yet be surprised.”</p>
<p><a href="http://www.therestisnoise.com/2012/01/critics-convene.html" target="_blank">The post can be read here&#8230;</a></p>
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		<title>Stéphane Tétreault in love with his new Strad</title>
		<link>http://www.analekta.com/blog/en/2012/01/25/stephane-tetreault-in-love-with-his-new-strad/</link>
		<comments>http://www.analekta.com/blog/en/2012/01/25/stephane-tetreault-in-love-with-his-new-strad/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 18:32:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[In the news]]></category>

		<guid isPermaLink="false">http://www.analekta.com/blog/en/?p=1714</guid>
		<description><![CDATA[Young Canadian cellist Stéphane Tétreault just learned that he will now have the privilege to play on a Stradivarius, the &#8220;Paganini, Countess of Stainlein&#8221;, owned until he passed away on May 13 by Bernard Greenhouse, venerable member of the Beaux-Arts Trio. The instrument was sold by Reuning &#38; Son Violins to a patroness of the arts from [...]]]></description>
			<content:encoded><![CDATA[<p>Young Canadian cellist Stéphane Tétreault just learned that he will now have the privilege to play on a Stradivarius, the &#8220;Paganini, Countess of Stainlein&#8221;, owned until he passed away on May 13 by Bernard Greenhouse, venerable member of the Beaux-Arts Trio.</p>
<p>The instrument was sold by Reuning &amp; Son Violins to a patroness of the arts from Montreal, who whishes to remain anonymous, for a little over  6 millions  dollars.</p>
<p>“I am immensely touched and humbled to have been chosen to play an instrument that was cherished for so many years by Bernard Greenhouse, who has always had my great respect and admiration,” Tétreault stated in a press release.</p>
<p id="contentMain_contentMain_DocumentChapitres1_rptChapitres_ctl00_0_rptParagraphes_0_pTexte_5">The 18-year-old cellist studies at Université de Montréal with Yuli Turovsky. He will give a recital on February 4, at 2:30 p.m., at Théâtre Outremont.  The concert will be recorded by Espace musique and available on the Internet from March 2 on at <a href="http://blogues.radio-canada.ca/revelations2011" target="_blank">www.radio-canada.ca/revelations</a>.</p>
<p>An article from <em><a href="http://www.montrealgazette.com/news/montreal/student+entrusted+with+prized+cello/6046138/story.html" target="_blank">The Gazette</a></em> and one from <a href="http://www.nytimes.com/2012/01/23/arts/music/stradivari-cello-sells-for-more-than-6-million.html" target="_blank"><em>The  New York Times.</em></a></p>
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