Hailed as the most influential composer of his generation, electro-acoustic polymath Max Richter defies definition: composer he may be, but he is also pianist, producer, remixer, and collaborator, and beyond argument one of the most prolific of contemporary musical artists.
Inspired equally by Bach, punk rock and ambient electronica, Richter’s sonic world blends a formal classical training (he graduated from the Royal Academy of Music, and was a pupil of renowned composer Luciano Berio) with modern technology. His unique and distinctive brand of heartbroken melodicism bridges the minimalist greats with pioneering electronics and the contemporary digital music production multiverse. Time Out has remarked on the “overwhelming emotional power” of his work, the New Statesman has noted its “astonishing depth and beauty” while Classic FM and Pitchfork have called it “stunning” and The Guardian “languorously transcendent”.
Over the years Max Richter has become best known for his genre defining and highly influential solo albums which have given rise to and are seen as “landmarks” (The Independent, Pitchfork) of the ever burgeoning “neo-classical” movement, but his monumental collaborative output also encompasses concert music, operas, ballets, art and video installations, and multiple film, theatre and television scores.
The over 50 films featuring Max Richter’s work and specifically written scores include Ari Folman’s multiple award-winning and devastating critique of war, Waltz with Bashir (for which Max Richter was awarded the European Film Prize), Martin Scorsese’s Shutter Island and Damon Lindelof ’s first television project post-Lost, HBO’s The Leftovers. Theatre productions include Alan Cumming’s triumphant solo version of Macbeth on Broadway, and the National Theatre of Scotland’s internationally lauded Black Watch. Ballets include his many collaborative ventures with maverick Royal Ballet resident choreographer Wayne McGregor, with his works also being used by, amongst others, The Joffrey Ballet, Nederlands Dans Theater, Lucinda Childs, New York City Ballet, American Ballet Theatre, Dutch National Ballet, Dresden Semper Oper, Ballet du Rhin, Northern Ballet.